Breakfast at tiffanys screenplay pdf
Fifth Avenue, 5 A.M.: Audrey Hepburn, Breakfast at Tiffanys, and the Dawn of the Modern Woman by Sam WassonAudrey Hepburn is an icon like no other, yet the image many of us have of Audrey—dainty, immaculate—is anything but true to life. Here, for the first time, Sam Wasson presents the woman behind the little black dress that rocked the nation in 1961. The first complete account of the making of Breakfast at Tiffanys, Fifth Avenue, 5 A.M. reveals little-known facts about the cinema classic: Truman Capote desperately wanted Marilyn Monroe for the leading role; director Blake Edwards filmed multiple endings; Hepburn herself felt very conflicted about balancing the roles of mother and movie star. With a colorful cast of characters including Truman Capote, Edith Head, Givenchy, Moon River composer Henry Mancini, and, of course, Hepburn herself, Wasson immerses us in the America of the late fifties before Woodstock and birth control, when a not-so-virginal girl by the name of Holly Golightly raised eyebrows across the country, changing fashion, film, and sex for good. Indeed, cultural touchstones like Sex and the City owe a debt of gratitude to Breakfast at Tiffanys.
In this meticulously researched gem of a book, Wasson delivers us from the penthouses of the Upper East Side to the pools of Beverly Hills, presenting Breakfast at Tiffanys as we have never seen it before—through the eyes of those who made it. Written with delicious prose and considerable wit, Fifth Avenue, 5 A.M. shines new light on a beloved film and its incomparable star.
Breakfast at Tiffany's
But it could have been very different, if the writers and producers had got their initial choice for the lead role. Author Truman Capote had perfectly described the lead character of Holly Golightly in his novella, and stated "Marilyn was always my first choice to play the girl". Then when Paramount Studios bought the rights to the story, and hired George Axelrod to adapt it for the screen, he was asked to specifically tailor the script for Monroe. According to legend, it was her acting coach Lee Strasberg who advised Monroe not to take the part of Holly Golightly, claiming that playing a prostitute would be a bad career move. The copy of the script sent to Monroe is offered along with a report written by the renowned New York theatre director Edward Parone, who she had hired to run her production company.
Hey, baby. What's going on here? What happened to you, anyway? You take off for the powder room. But that was two weeks ago. I worship you, Mr Arbuck,.
Breakfast At Tiffany's [Script] Lyrics. Sid Arbuck: Hey! Hey, baby, what's going on here? Holly Golightly: Oh, hi. Mr. Yunioshi: Miss Gorightly! Someday someday!.
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