A road not taken by robert frost summary

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a road not taken by robert frost summary

The Road Not Taken and Other Poems by Robert Frost

Two roads diverged in a wood, and I--
I took the one less traveled by,
And that has made all the difference.

These deceptively simple lines from the title poem of this collection suggest Robert Frost at his most representative: the language is simple, clear and colloquial, yet dense with meaning and wider significance. Drawing upon everyday incidents, common situations and rural imagery, Frost fashioned poetry of great lyrical beauty and potent symbolism.

Originally published in 1916 under the title Mountain Interval.
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Published 22.05.2019

[English] The road not taken summary and message class 9 beehive

The narrator comes upon a fork in the road while walking through a yellow wood. He considers both paths and concludes that each one is equally well-traveled and appealing. After choosing one of the roads, the narrator tells himself that he will come back to this fork one day in order to try the other road.
Robert Frost

Robert Frost: “The Road Not Taken”

Andrew has a keen interest in all aspects of poetry and writes extensively on the subject. His poems are published online and in print. If life is a journey, this poem highlights those times in life when a decision has to be made. Which way will you go? The ambiguity springs from the question of free will versus determinism, whether the speaker in the poem consciously decides to take the road that is off the beaten track or only does so because he doesn't fancy the road with the bend in it. External factors therefore make up his mind for him. Robert Frost wrote this poem to highlight a trait of, and poke fun at, his friend Edward Thomas, an English-Welsh poet, who, when out walking with Frost in England would often regret not having taken a different path.

Robert Frost and "The Road Not Taken"

The speaker stands in the woods, considering a fork in the road. Both ways are equally worn and equally overlaid with un-trodden leaves. The speaker chooses one, telling himself that he will take the other another day. Yet he knows it is unlikely that he will have the opportunity to do so. And he admits that someday in the future he will recreate the scene with a slight twist: He will claim that he took the less-traveled road.

Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. Among English speakers and especially in North America it is a comparatively famous poem. Its central theme is the divergence of paths, literal yet also clearly figurative, although its interpretation is noted for being complex and like the road fork itself potentially divergent. Frost spent the years to in England, where among his acquaintances was the writer Edward Thomas.

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