Sex drugs and cocoa puffs a low culture manifesto

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sex drugs and cocoa puffs a low culture manifesto

Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto by Chuck Klosterman

Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman. With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And dont even get him started on his love life and the whole Harry-Met-Sally situation.

Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, Chuck will make you think, hell make you laugh, and hell drive you insane -- usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, but -- really -- its about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, In and of itself, nothing really matters. What matters is that nothing is ever in and of itself. Read to believe.
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Chuck Klosterman - Free Audiobook

He got that gig in , shortly after he turned in the Cocoa Puffs manuscript he had written during a week hiatus from his previous job at The Akron Beacon Journal. I assume I found the book through a mention in the magazine, then bought and read it on the dirty couch my roommates and I had salvaged from somewhere.
Chuck Klosterman

SEX, DRUGS, AND COCOA PUFFS: A Low Culture Manifesto

The American writer Chuck Klosterman's Sex, Drugs and Cocoa Puffs, in addition to being one of the better essay collections of recent years it was first published in , is absolutely the best disguised. Klosterman's book subtitles itself "A Low Culture Manifesto", yet it's not a manifesto. Its table of contents sequences his chapters like the tracks of a CD, putting minute markings in place of page numbers; but only a part of the book has to do with music. To glue together what would otherwise be a disparate accumulation of introspective and journalistic pieces, Klosterman puts personalised "interludes" between each essay, in the manner of Hemingway's In Our Time. As "America's best-loved semipro freelance conversationist" self-proclaimed , Klosterman generates his odd brand of comfortingly low expectations making you feel that you could be talking to anyone, late at night, stoned, about familiar topics: reality television, computer games, Star Wars, MTV, Pamela Anderson and porn. He really is a good essayist, though, and strangely all the disguises add to the charm.

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It is a collection of eighteen comedic essays on popular culture. The book cover was designed by Paul Sahre. Klosterman presents his essays as if they were tracks on a CD. Between each essay, or track, is an "interlude"—a short, entertaining blurb linking the essays. The following essays are included in Sex, Drugs, and Cocoa Puffs :. Sex, Drugs, and Cocoa Puffs was positively reviewed by critics.

There's a lot more cold cereal than sex or drugs in Klosterman's nostalgic, patchy collection of pop cultural essays, which, despite sparks of brilliance, fails to cohere. Having graduated from the University of North Dakota in , Klosterman Fargo Rock City seems never to have left that time or place behind. He is an ironically self-aware, trivia-theorizing, unreconstructed slacker: "I'm a 'Gen Xer,' okay? And I buy shit marketed to 'Gen Xers. Get over it. The closest Klosterman gets to the 21st century is Internet porn and the Dixie Chicks. This is a shame, because he's is a skilled prose stylist with a witty, twisted brain, a photo-perfect memory for entertainment trivia and has real chops as a memoirist.

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    Buy Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto Main by Chuck Klosterman (ISBN: ) from Amazon's Book Store. Everyday low prices.

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