Blues and rock and roll
Crossroads: How the Blues Shaped Rock n Roll by John MilwardThe blues revival of the early 1960s brought new life to a seminal genre of American music and inspired a vast new world of singers, songwriters, and rock bands. The Rolling Stones took their name from a Muddy Waters song; Led Zeppelin forged bluesy riffs into hard rock and heavy metal; and ZZ Top did superstar business with boogie rhythms copped from John Lee Hooker. Crossroads tells the myriad stories of the impact and enduring influence of the early-60s blues revival: stories of the record collectors, folkies, beatniks, and pop culture academics; and of the lucky musicians who learned life-changing lessons from the rediscovered Depression-era bluesmen that found hipster renown by playing at coffeehouses, on college campuses, and at the Newport Folk Festival. The blues revival brought notice to these forgotten musicians, and none more so than Robert Johnson, who had his songs covered by Cream and the Rolling Stones, and who sold a million CDs sixty years after dying outside a Mississippi Delta roadhouse. Crossroads is the intersection of blues and rock n roll, a vivid portrait of the fluidity of American folk culture that captures the voices of musicians, promoters, fans, and critics to tell this very American story of how the blues came to rest at the heart of popular music.
Rock and roll
Rock and roll emerged as a defined musical style in the United States in the early to mids. It derived most directly from the rhythm and blues music of the s, which itself developed from earlier blues , boogie woogie , jazz and swing music , and was also influenced by gospel , country and western , and traditional folk music. Rock and roll in turn provided the main basis for the music that, since the mids, has been generally known simply as rock music. The phrase "rocking and rolling" originally described the movement of a ship on the ocean, but it was used by the early 20th century, both to describe a spiritual fervor and as a sexual analogy. Various gospel, blues and swing recordings used the phrase before it became used more frequently — but still intermittently — in the late s and s, principally on recordings and in reviews of what became known as "rhythm and blues" music aimed at black audiences.
Rock and roll is a genre of popular music that originated and evolved in the United States during the late s and early s from musical styles such as gospel, jump blues, jazz, boogie woogie, and rhythm and blues, and country music. While elements of what was to become rock and roll can be heard in blues .
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Motorcycle Rock Songs
When we think of rock and roll, we think electric guitars, amplified sounds, and intricate styles of play, but what if I were to tell you rock and roll would not have existed without simple bar forms, antiphonic textures, or walking bass lines used in blues music? Well I am here to tell you it is true. Blues music is one of the most influential characteristics that gave birth to rock and roll. Beginning in the Mississippi Delta region with African slave work songs and expanding to areas of Chicago and Dallas, blues went on to inspire rock legends such as: the Beatles, the Rolling Stones, and Jimi Hendrix. Multiple elements in rock and roll provide evidence of common blues qualities. Rock and roll was influenced by elements of blues instrumentation, rhythm, and purpose.
Music is evolutionary. Conventions and vocabulary emerge from the musical dialogue that came before them. Players started to splinter off, experiment and push, while the blues tradition progressed on its own path. It wasn't a linear development. There were inflection points where leaps toward rock occurred. Where were the bends in the blues stream, so to speak, that directed the flow into the tributary of rock 'n' roll? There are a hundred ways to make this argument, but I've pulled out five performances and recordings that I believe reframed how future rock 'n' roll guitarists would approach their craft.