Stuart hall encoding and decoding
Encoding And Decoding In The Television Discourse by Stuart HallStuart Hall (1932-2014) was a cultural theorist and sociologist who has lived and worked in the United Kingdom since 1951. Hall, along with Richard Hoggart and Raymond Williams, was one of the founding figures of the school of thought that is now known as British Cultural Studies or The Birmingham School of Cultural Studies. He was President of the British Sociological Association 1995-1997.
At the invitation of Hoggart, Hall joined the Centre for Contemporary Cultural Studies at Birmingham University in 1964. Hall took over from Hoggart as director of the Centre in 1968, and remained there until 1979. While at the Centre, Hall is credited with playing a role in expanding the scope of cultural studies to deal with race and gender, and with helping to incorporate new ideas derived from the work of French theorists.
Hall left the centre in 1979 to become a professor of sociology at the Open University. Hall retired from the Open University in 1997. He died in 2014. British newspaper The Observer called him one of the countrys leading cultural theorists
Media Influence - Encoding/Decoding
Stuart Hall - Encoding and Decoding Essay examples
The term showrunner is unique to television. The showrunner functions similarly to a filmmaker or a composer, steering the program in terms of the script and delivery of lines, but often the look, sound, and scope of the series, as well. In shaping a TV product, showrunners wield dynamic persuasive appeal. Academic theorists have a very similar job. Like showrunners, they shape how we view the world.
Stuart Hall - Theories of Encoding/Decoding
An edited version of the talk is below along with images from some slides, but as this is still a work in progress I welcome and comments, critiques, etc. I posit that a good place to start is something that is so imbricated with ideas of futureness that too often scholars fail to really reach back into existing theory to understand it: New Media. Also sometimes called emergent or digital media, new media are often described as a constellation of technologies that are supposedly uniquely social, mobile, and interactive. Affordances as a concept originally comes from cognitive psychology and James Gibson . Norman felt that Gibson assumed there were too many open possibilities in how objects in the environment could be used.